post-cyberpunk adj.
of or pertaining a subgenre of science fiction that employs some of cyberpunk's themes, especially the exploration of the effects of a high rate of technological change on society, but rejects the alienation and dystopianism of cyberpunk
SF Criticism
Genre
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1988 Paperback Inferno (British Science Fiction Association) (#75) Dec. 1988–Jan. 1989 8/1 (review of Michael Weaver’s Mercedes Nights)
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Phil Nichols
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The other Dick-like feature of the novel is a group of drug-crazed characters who gravitate about Arthur Horstmeyer, whose weird paranoia/conspiracy theory concerning 'vacuum fish' recalls Dick himself. Unfortunately, Horstmeyer has no depth and serves merely to give this novel of the 80s a feel of the 60s and 70s; references to LSD, Pink Floyd and David Bowie abound. Far from being the forward-looking post-cyberpunk novel one expects, MERCEDES NIGHTS is ultimately backward looking in both its style and content.
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1989 Interzone (#31) Sept.–Oct. 64/1
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With less ambition Reed could have pulled off a perfectly decent post-cyberpunk caper novel instead of stalling in the parking lot.
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1990 Zine Views in Whole Earth Review Fall 61/1
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Gareth Branwyn
Edge Detector… A high quality post-cyberpunk science-fiction magazine. Good writing, great artwork.
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1991 On Books in Asimov’s Science Fiction mid-Dec. 167/1
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Norman Spinrad
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It certainly should be, for while the translation may be a bit spotty in places, Midas is right out there on the post[-]cyberpunk cutting edge and then some, with its unique and gritty extrapolation of the down and dirty Third World realities interfaced with an exploration of the moral and spiritual implications of virtual replicated personalities confronting an all-too-real world.
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1998 Editor’s Recommendations in Magazine of Fantasy & Science Fiction Apr. 46/1
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Gordon Van Gelder
The plot never quite reached boiling temperature for me, but the ideas of this post-cyberpunk story are good and the future downtown club scene has some very nice touches.
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1998 Nova Express Fall–Winter 28/2
Nor is it clear what, if anything, the ‘postcyberpunk’ novels of the 1990s have in common. Why is Greg Bear a ‘postcyberpunk’ writer when Greg Benford or David Brin is not? Why is Kim Stanley Robinson’s work not ‘postcyberpunk?’
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1999 All Tomorrow’s Parties Thanks 278
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William Gibson
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The post-cyberpunk contingent in Mexico City…encouraged me, with their warm enthusiasm.
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2015 SFX (#264) Sept. 82/2
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These are tales that take place in the same eerie, post-cyberpunk, magic realism-tinged fictional universe as Desolation Road.
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2022 New Scientist 12 Feb. 36/1 (review of Neal Stephenson’s Fall; or, Dodge in Hell)
Speculative science fiction looking into the near future of the US. Like a more emotionally healthy, post-cyberpunk Succession.
Research requirements
antedating 1988
Earliest cite
in a book review in Paperback Inferno
Research History
Jeff Prucher submitted a 2000 cite from Gardner Dozois' introduction to Michael Swanwick's "Moon Dogs".Enoch Forrester submitted a 1990 cite from fanzine review in the "Whole Earth Review".
Jeff Prucher submitted a 1995 cite from Richard Gehr in The Village Voice.
Jeff Prucher submitted a 1991 cite from a book review by Norman Spinrad in Asimov's Science Fiction.
Jeff Prucher submitted a 1998 cite from Gordon Van Gelder in F&SF.
Jeff Prucher submitted a 1998 cite from a letter by Martin Wooster in Nova Express.
Jesse Sheidlower submitted two 1989 cites from Interzone.
Jeff Prucher submitted a 1988–9 cite from Phil Nichols in Paperback Inferno.
Last modified 2026-07-02 11:49:00
In the compilation of some
entries, HDSF has drawn extensively on corresponding entries
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