of, relating to, or characteristic of the writing of H. P. Lovecraft, esp. in featuring elements of supernatural horror
I’ll enclose, purely for your personal perusal…two characteristic neo-Lovecraftian outbursts—The Silver Key and The Strange High House in the Mist.
Got the March issue today, and Kuttner’s story appealed to me strongly. I deem it a fine little tale in the Lovecraftian manner.
All good students of their grimoires…recognize the need for a full understanding of Latin strung between the names of Lovecraftian gods which can’t be pronounced.
If he was other than a slight influence, why is it that, outside of stories written by his own most intimate friends, there exist scarcely any stories which can possibly be called Lovecraftian?
The atmosphere was Lovecraftian, a dank seed bed of paranoia.
It’s hard to say exactly how a novel about a man’s mid-life despair can be funny; the juxtaposition of workplace ennui and Lovecraftian horrors certainly produces a pervasive sardonic tone, but even the scenes that aren't played for satirical laughs have a kind of exaggerated emotional quality (like that of Lovecraft’s own fiction) that adds a note of grim humor to even the darker scenes.
About a quarter of a million lines of source code, squirreled away among the skeletons and treasures guarded by a fearsomely large shoggoth; if you want to keep some data secure, there’s nothing quite like sticking it in a record in a holographic distributed database that’s guarded by Lovecraftian horrors.
Combining Lovecraftian suspense, international intrigue, Russian honey traps, and a presidential marriage whose secrets and battles of attrition were their own heroic saga, Grossman’s novel is a masterwork of alternate history.
H. P. Lovecraft himself, in a letter
Last modified 2021-08-04 13:21:41
In the compilation of some entries, HDSF has drawn extensively on corresponding entries in OED.