having the quality of fantasy n. 1
1930 Argosy 25 Oct. (cover)
The Snake Mother[:] The Outstanding Fantastic Novel of the Year by A. Merritt.
For the sake of clarity, let me say that a number of science fiction fans read the fantastic magazines avidly, but the others, nurtured on fiction a trifle far-fetched though based on scientific fact cannot tolerate this bastard literature. Personally, the editor’s tendencies are toward these fantastic stories.
The Editor Reflects: Witches, Werewolves, Vampires, et al. in Science Fiction Digest (vol. 1, no. 7) March 1/1
1934 Wonder Stories Feb. 793/1
Any one who can enjoy the beautiful tales of Clark Ashton Smith can really appreciate fantastic literature.
‘The Final Struggle’ unfortunately impressed me as being very bad as a science-fictional, fantastic, or any kind of story.
in Wonder Stories Feb. 1139/1
Angarth, whose fame as a writer of fantastic fiction was already very considerable, had been spending that summer among the Sierras, and had been living alone until the artist, Felix Ebbonly, went to visit him.
City of Singing Flame in Out of Space and Time 61
Some of the more enthusiastic science fiction aficionados tend to overstate the claims of this medium. Modern SF definitely does not date back to the second century and Lucian of Samosata, or even to the Gothic and fantastic novels of the last century. It has roots there, of course, just as it has roots in all fiction, being a part of the greater main of fiction.
Nova One Introd. p. ix
Many fantastic stories and novels these days are set upon another world inhabited by people, and if the author of a particular work was to start off by saying, ‘There is a world in space inhabited by people, and the natural laws of this world are somewhat different from ours, and they are magical,’ one could, generally speaking, say that this is a fantasy. But if he says, ‘Here is this world’,—and it is the same story—leaving implications that this is the result of a colonization experiment from Earth of a thousand or two thousand or ten thousand years before, then it would suddenly become a science fiction story, because the reader has got a basis for suspending his disbelief.
Science Fiction 23
[in a review of Annihilation, a metafictional allegory by Jeff VanderMeer:] A clandestine government agency called the Southern Reach has sent 11 mostly failed expeditions into Area X, where an environmental catastrophe has created a nasty new ecosystem that may be encroaching on our own familiar world. [...] Area X stands for the domain of fantastic fiction. The biologist is the reader.
Futuristic Thrillers in N.Y. Times 16 Feb. (Book Review section) 30/1
Research HistoryJeff Prucher submitted a 1971 cite from Sam Lundwall's "Science Fiction: What It's All About".
Jeff Prucher submitted a 1935 cite from a letter in Wonder Stories by Forrest Ackerman.
Jeff Prucher submitted a 1934 cite from editorial comments by Hugo Gernsback in Wonder Stories.
Jeff Prucher submitted a 2002 cite from a blurb by Paul Di Filippo in Polyphony 1.
Mark English submitted a 1974 cite from a reprint of Clark Ashton Smith's 1931 "Out of Space and Time"; we would like to verify the original publication in the July 1931 Wonder Stories.
Irene Grumman submited a cite from a 1971 reprint of Harry Harrison's 1970 anthology "Nova One".
Ben Ostrowsky submitted a 1933 cite from the editor of Science Fiction Digest.
Ben Ostrowsky submitted a 1930 cite from the cover of Argosy.
Ben Ostrowsky submitted a 2014 cite from Tom LeClair.
John Locke submitted a cite from Otis Adelbert Kline's "Writing the Fantastic Story" in an (unpaginated) electronic version of The Writer from January 1931; we would like to verify this in a print edition.
Last modified 2021-10-08 22:24:33
In the compilation of some entries, HDSF has drawn extensively on corresponding entries in OED.