Subject: SF Criticism
Terms used in the criticism or discussion of science fiction, e.g. names of genres or tropes.
| Word | Definition |
|---|---|
| Ellisonian adj. (1954) | of, relating to, or characteristic of the writing of Harlan Ellison |
| epic fantasy n. (1961) | = high fantasy n.; = sword and sorcery n. |
| fan fiction n. (1938) | fiction, usually fantasy or science fiction, written by a fan rather than a professional author, esp. that based on already-existing characters from a television series, book, film, etc.; (also) a piece of such writing |
| fantascience n. (1934) | = science fantasy n. 3; science fiction n. 2 |
| fantasist n. (1923) | a writer of fantasy n. 1 |
| fantastic n. 1 (1923) | of a creative work: that which has the qualities of fantasy n. 1 |
| fantastic n. 2 (1937) | a work of fantasy n. 1 |
| fantastic adj. (1930) | having the quality of fantasy n. 1 |
| fantastical n. (1995) | of a creative work: that which has the qualities of fantasy n. 1 |
| fantasy n. 1 (1931) | a genre of fiction which contains elements of magic or the supernatural, frequently set in a world other than our own |
| fantasy n. 2 (1933) | a work (story, film, etc.) in the fantasy genre |
| feghoot n. (1960) | a very short story that culminates in an (elaborate) pun |
| fix-up n. (1975) | a novel constructed from shorter material written separately |
| Flash Gordon adj. (1938) | = science fictional adj.; (specif.) characteristic of hackneyed or dated science fiction; Buck Rogers adj. |
| Frankenstein complex n. (1947) | Isaac Asimovโs term for: the anxiety and distrust humans feel for robots |
| future history n. (1937) | a fictional, self-contained, consistent, chronological framework (esp. realized across a body of work); (also) the subgenre of science fiction that uses such a framework |
| future war n. (1931) | a subgenre of science fiction dealing with warfare and how it will be practiced in the future |
| gadget story n. (1942) | a story in which the primary focus is on inventions or the process of inventing |
| genre n. (1993) | the literary fields of science fiction, fantasy, and horror collectively; imaginative fiction |
| genre fantasy n. (1977) | stories, novels, etc. that are explicity written or published in the genre of fantasy, as opposed to ones which contain fantastic or supernatural elements but are written or published as mainstream fiction, or in another genre |
| genre science fiction n. (1971) | stories, novels, etc. that are explicity written or published as science fiction, as opposed to ones which contain science fictional elements but are written or published as mainstream fiction, or in another genre |
| Gernsbackian adj. (1943) | of, relating to, or characteristic of Hugo Gernsback, and esp. of the writing that appeared in the magazines he edited, esp. in featuring extensive discussions of scientific or technological issues |
| golden age n. (1948) | a period in the past regarded as the time when science fiction was at its best |
| grandfather paradox n. (1939) | a paradox concerning the implications of time travel, expressed by the idea that a time traveller could potentially go back into the past and (deliberately or inadvertently) kill his or her grandfather, thus preventing the time travellerโs existence and the possibility of having travelled back into the past in the first place; cf. time paradox n. |
| grimdark n. (2008) | a subgenre of (esp. fantasy) fiction characterized by a nihilistic, violent, and dystopian atmosphere or setting |
| Hamiltonian adj. (1939) | of, relating to, or characteristic of the writing of Edmond Hamilton |
| hard science fiction n. (1957) | science fiction that does not violate known scientific laws; science fiction based or focused on the hard sciences |
| Heinleinian adj. (1956) | of, relating to, or characteristic of the writing of Robert Heinlein |
| heroic fantasy n. (1961) | = sword and sorcery n. |
| high fantasy n. (1971) | a subgenre of fantasy set in an imaginary world, typically having a medieval-style society and level of technology, usually featuring a quest or a conflict between Good and Evil, and often written in an elevated style |
| hobbitry n. (1944) | the culture or behaviour of hobbits; hobbits collectively, or their qualities |
| hopepunk n. (2017) | a subgenre of (esp. fantasy) fiction in which characters rebel against a challenging and esp. dystopian situation with optimism, kindness, or cooperation |
| horror n. (1898) | a genre intended to create a feeling of fear in the reader or viewer, especially one employing supernatural elements or monstrous creatures |
| Hugo n. (1953) | any of several awards presented annually at the World Science Fiction Convention for excellence in science fiction or fantasy writing, art, publishing, etc. |
| imaginative adj. (1914) | denoting a genre of literature, etc. that is not realistic or mimetic; science fiction, fantasy, and horror collectively |
| impossible story n. (1913) | esp. in the early pulp era: a work of imaginative fiction; a different story n. |
| infodump n. (1978) | a large (often unwieldy or indigestible) amount of information supplied all at once; spec. as background or descriptive information in a narrative |
| infodumping n. (1995) | the practice of using infodump n. in literature |
| inner space n. (1920) | the human mind; the innermost parts of oneโs psyche |
| interplanetary n. (1927) | a story about interplanetary travel |
| Jonbar adj. (1977) | in time-travel or alternate-history contexts: denoting a point at which a (trivial) action can result in a significantly different timeline (chiefly in form Jonbar hinge, Jonbar point) |
| Kornbluthian adj. (1941) | of, relating to, or characteristic of the writing of Cyril M. Kornbluth |
| legendarium n. (1951) | a body or system of myths, legends, stories, etc., concerning or relating to a particular fictional world; a work or body of work containing this |
| Lovecraftian n. (1944) | a devotee or follower of H.P. Lovecraft |
| Lovecraftian adj. (1927) | of, relating to, or characteristic of the writing of H. P. Lovecraft, esp. in featuring elements of supernatural and often existential horror |
| mad scientist n. (1883) | a scientist who is insane or eccentric, esp. so as to be dangerous or evil: a stock figure of melodramatic horror stories |
| mainstream adj. (1953) | belonging to or characteristic of the dominant or traditional literary modes, especially representational fiction |
| manga n. (1951) | a Japanese genre of cartoons and comic books, typically drawn in a meticulously detailed style, usually featuring characters with distinctive large, staring eyes, sometimes including violent or sexually explicit material |
| Mary Sue n. (1976) | a writer who inserts an idealized version of themselves in their own fan fiction n.; such a story or character |
| military science fiction n. (1979) | a subgenre of science fiction that focuses on the military and warfare, esp. when the setting is outer space or other worlds |